Tag Archives: DFA

DFA Grad Chadwick Boseman to Play James Brown in Biopic

It’s been years since Chadwick Boseman was a student at the Digital Film Academy. Since then, he’s been no stranger to the world of entertainment, landing roles on such classic soap operas as All My Children. But, like most film stars, it takes certain roles to suddenly get you ‘on the radar’ – and for Boseman, that break-through moment came in 2013 when he was cast as the legendary Jackie Robinson opposite Harrison Ford in 42.

42

42 met with positive reviews overall, despite a few nay-sayers feeling it sugar-coated some of the real issues of the time in which the Robinson biopic was set. One thing almost everyone could agree on, though, was that the “new-comer,” Boseman, was delightful and brought an easy athletic confidence to the role of this sports legend.

Boseman is quoted on his IMDB page as saying “The story (of 42) is relevant because we still stand on (Robinson’s) shoulders. He started something.”

This sentiment is similar to what he felt about James Brown when he was preparing to play the iconic Godfather of Soul in 2014’s highly-anticipated Get on Up. He spoke of Brown’s performances as “the foundation for a lot of things we’re still doing.”

James Brown

Boseman is definitely a man who understands the responsibility of portraying a real-life personality onscreen. In fact, it was this reverence for accurate portrayal that almost made him pass on the role of James Brown.

Originally from the south, Boseman shied away from this part, unsure of whether or not he could do it justice. He reportedly told director Tate Taylor, “We cannot mess this up! I don’t know if I can do it right!” while being courted for the role.

James Brown 2
Boseman as Brown.

Of course, once he came in to audition, he nailed it. And once his involvement was official, and despite not being a singer or dancer, Boseman spent six intensive weeks practicing Brown’s moves. According to Mick Jagger, who’s producing the film along with Brian Grazer, Boseman “immeasurably had become the character” by the time he was through with his training.

Whether or not Get on Up will bring Boseman as much recognition as 42 remains to be seen. But one thing’s for sure – when the film releases in August of 2014, plenty of people – this blogger included – will be lining up to find out.

For more info, read “Mick Jagger Talks James Brown.”

By Digital Film Academy Blog Manager Sara McDermott Jain

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DFA Goes Brazilian!

When she was first considering film schools and living in Brazil, Carol Mazzoni did an internet search to discover which school might be best for her. Her main considerations were cost (number one) and location (number two).

It wasn’t long before she landed on the Digital Film Academy (homepage). Given the low cost and Times Square address, she knew she’d found a perfect fit.

Times Square, New York City - a center for film.
Times Square, New York City – a center for film.

Now, she’s also an employee at the DFA, managing the school’s Social Media and working on International Outreach. Additionally, she’s completed a variety of film projects, from short films destined for the festival circuit to web series she’s collaborating on with fellow DFA alums.

Mazzoni’s story is a common one at the DFA. The school boasts a large number of international students who’ve come to the US to pursue their dreams. For this reason, they are branching out by attending their first-ever student-based recruitment fair in Brazil in the second half of March 2014.

Salão do Estudante in Brazil
Salão do Estudante in Brazil

The Salão do Estudante, run by BMI, is one of the most active student recruitment fairs in the world, with 200,000 students coming through the fair in four days. Additionally, in days when the fair isn’t running, the DFA will meet with numerous agencies that work to partner students with the perfect program for their needs.

Patrick DiRenna at the fair.
Patrick DiRenna at the fair.

Mazzoni will be attending the fair along with DFA President Patrick DiRenna. Between agency meetings, meetings with prospective students, and the fair itself, the event will take them to several Brazilian cities over the course of two and a half weeks.

“It’ll be exciting to talk with the crowd and hear more about what international students are looking for,” Mazzoni says. “I can’t wait.”

By Digital Film Academy Blog Manager Sara McDermott Jain

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Spotlight on Jazmin and Steven Young

Despite a six-year age difference, sister and brother Jazmin and Steven Young have always been close. Now, 20 and 26 respectively, that closeness has translated into shared professional passion and career opportunities for both.

One of the challenges of a career in film, according to Jazmin, is finding exactly where you fit. As a little girl, she through of being an actress – but soon realized she didn’t want to be in front of a camera.

Jazmin Young
Jazmin Young

This didn’t stop her from wanting to express her creativity, however. She developed an interest in producing music videos while in high school, and when she saw the music video “Ride” with Lana Del Ray, realized that she really wanted to be telling stories in her videos. Her love of cameras grew, and now, her main focus is on editing and camerawork.

Steven likewise started his film career with music. His wide musical background included writing his own songs and producing music, so for him it was natural to develop an interest in audio.

Steven Young
Steven Young

Jazmin was the first of the duo to attend the Digital Film Academy. The DFA opened her eyes to cameras and to a whole new perspective on how to tell a story. It wasn’t long before Steven joined the DFA as well and both their careers began to flourish, starting with the production of short films which they wrote together. The first, a psychological thriller titled Love Jacket, is now in the editing process.

Last summer, they had the opportunity to work together on a Bollywood film being shot in various US locations, Uncommitted. Steven first joined the production as the sound engineer, and recommended Jazmin for camera assistant.

On the set of Uncommitted.
On the set of Uncommitted.

A big pro of working together has been helping to set each other up with such opportunities. People enjoy the sibling teamwork Steven and Jazmin bring to their sets.

The brother-sister pair are now legalizing their own production company, Selective Vision, along with partner Sid Polar. They love the creative process and, in addition to producing work they feel strongly about, want to continue to put music and film together. Music, according to Jazmin, “is like another subplot in a film.”

Of course, the challenge of starting a company is daunting, but if anyone is up for it, it’s these two. Jazmin says that while it’s true that there’s a lot to figure out when starting a business, in the end, figuring it out and moving forward makes you better in your chosen field. She also stressed that, when learning how to start the company, the DFA was hugely helpful. “The DFA helped a lot,” she said. “We’ve learned so much.”

Selective Vision is on its way.

By Digital Film Academy Blog Manager Sara McDermott Jain.

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Top 5 Take-aways from the DFA Open House

True to form, the DFA Open House did not disappoint! The two hours were packed with three informative demos that gave attendees a wealth of information.

Here are the top 5 take-aways from the open house:

1. “The director is king… but the audience is GOD.”

This is at the core of what the DFA advocates and how they teach their students. As DFA President Patrick DiRenna says, “The most important ‘person’ to a production is not the star or the DP or even the director… it’s the audience.” The entire goal of film is to get the audience to feel what you want when you want them to feel it – and the DFA is the place to help students figure out how to do just that!

Patrick DiRenna teaches the DFA philosophy.
Patrick DiRenna teaches the DFA philosophy.

2. Film requires skill sets – including how to be a business person.

People sometimes forget that, in addition to being an expert in a particular craft or skill set (lighting, camerawork, audio, etc.), they also need to be great business people in order to succeed in film.

Attendees got a taste of how to think about and market their work and themselves.

3. First Accredited Web TV Production Program!!!

In huge news, the DFA now has the country’s first accredited Web TV Production program. In an age where entertainment is moving online – and the opportunities for development in that area seem endless – this presents a major opportunity to enterprising students.

Corey Christian walks the room through the finer points of editing.
Corey Christian walks the room through the finer points of editing.

4. Avid Media Composer (and RED camera footage) are AMAZING.

You probably knew this already, but Equipment/Facilities Manager Corey Christian showed attendees why. AMC not only has an amazing ‘warp stabilizer’ feature which can help filmmakers steady shaky camerawork after-the-fact, but it can also take wide shots and turn them into excellent close-ups. Corey taught attendees how to use these features.

Essentially, filmmakers now have the option to take previously unusable footage and sculpt it into great shots – saving time and money.

A volunteer becomes Dorothy in The Wizard of Oz.
A volunteer becomes Dorothy in The Wizard of Oz.

5. ADR is not as hard as you may think!

Director of Operations and audio wizard Guy Mor handed out flash drives and guided attendees into the world of additional digital recording. One lucky volunteer got to replace the voice of Judy Garland in The Wizard of Oz, saying “I’ve a feeling we’re not in Kansas anymore.” Mor showed the class how to replace Judy’s original line and make it sound seamless – in less than fifteen minutes.

All of the above is just the tip of the iceberg when it comes to what students could learn when they enroll at the DFA. So what are you waiting for? Sign up today!

By Digital Film Academy Blog Manager Sara McDermott Jain.

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Q&A: DFA Student Steven Young!

Born in Harlem, New York, Steven Young grew up listening to the likes of The Beatles, James Brown, and Michael Jackson. At age 9, he came across the parody video “I’m Fat” by Weird Al Yankovic and saw something that combined his love for music and entertainment.

After shooting two music videos independently, Steven decided to crossover into writing and creating short films, which led him to attend the Digital Film Academy.

DFA: What attracted you to the Digital Film Academy?

SY: The opportunities that DFA presented.

DFA: What opportunities presented themselves to you?

SY: For one, I knew going in that what I learned would not only teach me how to use the equipment but how to excel in my field. Secondly, I knew what I was learning would apply to my everyday work.

DFA: What program did you take at the Digital Film Academy?

SY: One-Year Advanced.

DFA: What class did you like the most and why?

SY: I would say my favorite class here was the directing class, which was taught by Patrick DiRenna. It was one of my favorites because it gave me insight on how to direct an actor and how to make the audience feel how I want them to feel.

DFA: What are you currently working on?

SY: I am currently working on my thesis short film Double Dealing, which is in the post-production stages.

On the set of the feature film Uncommitted.
On the set of the feature film Uncommitted.

DFA: What is Double Dealing about?

SY: It’s about how my character Collin returns to New York after being gone for several years to visit a college friend who has been attacked by an unknown attacker.

DFA: Will you tell us why he’s being attacked?

SY: See the film!

DFA: When your thesis is completed, will you be submitting it to film festivals?

SY: Indeed.

DFA: What is your area of expertise?

SY: Audio Engineering, but I also enjoy writing and directing.

DFA: What is your favorite piece of equipment to use and why?

SY: My favorite piece of equipment is the R88 which allows me to record sound for eight different channels and do a pre-mix before heading into post. Touch Screen is always awesome.

Steven Young playing with audio.
Steven Young doing live audio recording for the Stevie Boi fashion week fashion show.

DFA: Who is your favorite director?

SY: You know, I would have to say Scorsese.

DFA: Give me your top three movies of all time?

SY: Goodfellas, Good Will Hunting, and The Departed.

DFA: Did any of these films influence your short film, Double Dealing?

SY: Maybe The Departed, but not really.

DFA: What is your favorite genre to watch? And is it different from the genre that you shoot?

SY: I would have to say I’m into the more sci-fi action type of films even though I mainly write suspense dramas.

DFA: What are your future plans?

SY: In the future I would like to do more writing and directing as well as start my own production company.

DFA: Any piece of advice for young, aspiring filmmakers?

SY: My advice is to have fun and believe in creative freedom.

By Digital Film Academy Student Blogger Harley Page.

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Why the DFA Open House is a Must-See!

You know the regular school open house drill: sit in a chair with some strangers, hear a few words from a professor about what you would do in his class, maybe hear some success stories about former students…

But the Digital Film Academy Open House is no regular open house.

The DFA is all about getting students working in film – and their open house on Saturday, March 8th from 3-5pm in NYC is no different.

At this totally free event, attendees won’t just get to see the facilities and network with current/former students and professors. They’ll also take part in three hands-on demonstrations:

Directing

Directing Demo: Ever dreamed of commanding your own set as a director? Taught by Patrick DiRenna, the President of the DFA, this directing crash course gives attendees the “magic formula to create the perfect shot.” Guests will learn how to set up two different, dramatic SteadyCam shots and will also be taught the primary functions of a director.

ADR

ADR (Additional Dialog Recording) Demo: Imagine this: you’ve yelled “Cut!,” you’re bursting with excitement over what you filmed, and you get into editing – only to discover that the sound is a garbled mess. Something went wrong – so now, is your project dead?

Absolutely not, because you can replace that original dialog – if you know what you’re doing! Guy Mor, the DFA Director of Operations and an audio wizard, will show you how to both replace bad audio and record audio for animation… the best part? Attendees can take part in a fun exercise, re-recording audio for famous movie lines such as “Hasta la vista, baby” – and enjoy the results.

Media composer

Avid Media Composer Demo: Two things are hot right now in the world of film: Avid Media Composer, the most widely-used non-linear editing program for professional film, and the Red camera. (In fact, most DFA grads report being able to easily find work after graduation thanks to their continued free access to the expensive Red camera through the DFA membership program.) In this demo, DFA Equipment/Facilities manager Corey Christian works with both, showing how to load footage from the Red camera into Avid Media Composer and use the software to create a perfect final image.

If you’ve ever considered a career in film, what are you waiting for? Come to the DFA Open House to make connections, learn tricks of the trade, and see if you’re ready to take the next step to “monetize your media!”

RSVP today at DFA Open House.

By Digital Film Academy Blog Manager Sara McDermott Jain

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Who Gets Your Oscar Vote?

The 86th Annual Academy Awards are less than a week away and film enthusiasts everywhere are wondering who will win.

Let’s focus on the Best Picture category. It’s been called the closest Oscar race in recent history. The three front-runners, American Hustle, Gravity, and 12 Years a Slave, have all been equally acknowledged at other awards shows this season. There is no clear favorite to take home the biggest prize of the night, so it seems that fans will be guessing the winner up until the last moment.

Yes, there are six other films nominated, so everyone could be in for a big surprise… but let’s take a look at these three most-likelys:

AMERICAN-HUSTLE

American Hustle

Director David O’Russell’s latest… this movie received rave reviews, but also acquired a fair amount of nay-sayers. It benefits hugely from its prestigious, of-the-moment cast (which includes ‘it girl’ Jennifer Lawrence) and O’Russell’s own popularity.

Despite the stellar performances and the fun ride it gives audiences, does this film really deserve Best Picture? Its detractors argue that there are glaring plot holes and that it often seems actors were ad-libbing and having fun instead of following a tight script. It’s also been called a “hairdo” movie, relying on the period-piece costumes and wigs for a lot of its appeal.

What do you think?

Gravity

Gravity

Gravity, from Alfonso Cuarón, has been a game-changer in the world of film. Nothing quite like it has ever been seen before, and it left audiences breathless. Beginning to end, the film maintains tension, stunning visuals, and heart.

However… it has also been simultaneously accused of having one-dimensional characters and having the backstory for Sandra Bullock’s character be unnecessary.   Some people view it more as a thrill ride that doesn’t achieve Best Picture ranks on an emotional level.

12-years-a-slave

12 Years a Slave

Director Steve McQueen is no stranger to tackling difficult subjects in brutal, graphic ways. 2008’s Hunger was a devastatingly vivid portrayal of a hunger strike that took place in a prison in Northern Ireland.

McQueen continues to cast his eye on harsh realities with 12 Years a Slave, based on the true book by Solomon Northup, a free black man who was abducted and sold into slavery. True to form, McQueen doesn’t pull any punches when showing the brutality toward slaves. However, some people have accused this movie of being ‘torture porn,’ and still others have pointed out that its chances for taking home the Best Picture Oscar are damaged by the fact that, not wanting to see extreme suffering, many academy members may not even watch it.

Who do you think will take home Best Picture? American Hustle, Gravity, 12 Years a Slave – or one of the other six films nominated? The complete list of nominees is as follows:

Cast your vote in the comments below – then tune in to the Academy Awards on March 2, 2014 to see if you’re right!

By Digital Film Academy Blog Manager Sara McDermott Jain

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5 Rules of Successful Crowd-funding Campaigns

Everyone wants to crowd-fund to raise money for their film projects… but few people know how to put a good campaign together. Here’s everything you need to know!

Calendar

Set the Smallest Goal Over the Shortest Period of Time

Sorry if you want to raise a million dollars, but remember: $10k is the tipping point with crowdfunding. Asking for more than that gives you a drastically reduced chance of reaching your goal.

That being said, be realistic about how much money you need. As an indie filmmaker: what’s the smallest amount of money that makes this film possible?

Also, be realistic about the campaigning time-frame. This doesn’t mean leaving it open for six months, assuming that by then, it’ll all trickle in… the opposite is true.

Campaigns less than 30 days do better. Why? A campaign gets the most attention at the beginning and at the end. By keeping the campaign shorter, the buzz remains steady throughout and you keep excitement among supporters high – which leads to more shares, more likes, and more cash.

Another note about the time frame? Avoid launching when people have to pay rent or taxes. Aim to launch after they’ve gotten their paychecks.

Friends

Have Over 1000 FB Friends

Try to hit 1000 Facebook friends before crowd-funding. Success isn’t just based on how many people contribute, but also on how many people SHARE your story with others. A plea for shares often finds help when a plea for cash alone doesn’t – and the more FB friends you have, logically, the more shares you get.

Also remember, when deciding which crowd-funding platform to use: Kickstarter integrates with Facebook, making some things easier. However, Indiegogo will give you ANY funds you raise (minus a higher percentage) while Kickstarter will return funds to backers if your goal isn’t met. Carefully weigh your options.

Camera

Have a 50/50 Video

A no-brainer, but campaigns with video are 20-30% more likely to reach their goals. Videos shouldn’t go over 2 minutes and should be 50% about the project and 50% about the creator. When it comes to crowd-funding, people are as interested in the person behind the goal as anything else – so make your personal story a good one.

multitask

Keep Backers Posted and Respond to Activity

Keep backers up-to-date! This helps them feel appreciated and keeps them excited – and more likely to spread the word about your project.

They should receive a weekly email newsletter that contains a funding update, an update on any new content added to your page (announcements about new actors joining the cast, etc.), any mentions you’ve had in the press, and, most importantly, a call to action! Always ask them to share your page with others.

Hand in hand with this, respond to activity on your page in real time (read: within 6 hours.) This doesn’t just mean giving a ‘like’ to nice comments, but also dealing with any negativity in a professional way – especially when it appears publicly. Also, every time a donation is made, give the backer a shout-out on social media: an immediate reward!

medal

Post-Campaign Like a Champ

Thank every backer individually, and don’t screw up the delivery of rewards! These are the items you’ve promised in exchange for money. DVDs, posters, etc. – they should go out when you said they would, and be what you promised.

Finally, make good on your biggest promise – get this film made, and use ALL the funds you earned campaigning. If you earned more than your goal, don’t treat yourself to a spa day – put it toward this project. But hey, a bigger-than-expected budget? What a great problem to have!

By Digital Film Academy Blog Manager Sara McDermott Jain

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The NBC Shortcuts Experience!

short cuts logoIn August 2013, I attended the NBC Short Cuts film festival. This is an event that was created to showcase the work of a variety of artists from diverse backgrounds who might not otherwise get much exposure.

At first, I was wary of anything NBC. The last time I’d been involved with them was for Stand Up for Diversity, a comedy event giving each comic one minute to make an audience laugh and impress the executives. If you impress everyone, you move on and go to their reality show for comics.

Standup-for-Diversity-Logo.jpg.600x242_q100

Any stand-up comedian would know one minute is pretty difficult. My dark humour did not go over with the judges. I guess they didn’t like pedophile and wheelchair jokes. Especially the guy in the audience who was in the wheel chair about whom I made the joke.

I digress. I’d never been to a film festival before and since it was my favorite price – free – I decided to give it a go. First thing that caught my eye was the bar with no bartenders. I found this odd. Just display drinks. So, in a moment of thirst, I stole one.

Once inside, I watched incredible short films. Since each film was a different genre, I went through a series of emotions. One film would have me laughing, and the next would have me horrified. By the 7th film, I had a taste of what it was like to be manic depressive. I had hit the spectrum of emotions lottery. Therefore, each film was effective.

Craig Robinson (center) with festival finalists.
Craig Robinson (center) with festival finalists.

At the ending of the films, I went back into the lobby. As if run by a Suddenly Salad commercial, there were snacks and bartenders. I then realized I had stolen free soda. I got to talk to Hannibal Buress, a comedian, and Steve Caple who was the recipient of the audience award for his incredible short, “A Different Tree.” I am starting to use Twitter for contacts, and I ended up tweeting back and forth with Hannibal Buress, asking him for a reference so I can get an Internship at Comedy Central. I have yet to convince him, but will keep on trying.

All in all, I will definitely go again next year and glad this program exists. Any young filmmaker in NYC should take advantage of the opportunity!

By Digital Film Academy Student Blogger Harley Page

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4 Rules for Writing Your Screenplay

Writing seems both mysterious and easy. That’s because, to anyone other than the writer, the work is pretty much invisible.

In reality, the easier a script was to write, the worse it probably is.

This dog finished her screenplay in one hour, but it was terrible.
This dog finished her screenplay in one hour, but it was terrible.

Here are four simple rules to make your screenplay the best it can be.

1. Test your concept

The hidden work of screenwriting is actually pre-writing. That doesn’t start with the outline, or the character descriptions – it starts with your concept.

Most people get an idea and are swept off their feet by how great it is. Spoiler alert: it’s usually not that great. Playing with the concept before writing elevates it to a higher level. Ask questions like:

A. Can I change the characters in a way that makes this more interesting? (By changing their careers, gender, etc.?)

B. Where can the story be set that makes it more interesting? What do different settings bring to the idea?

C. Think about potential marketing hooks. What angle could make this more appealing to more people? What would the poster art look like?

D. Come up with a list of concepts and run them by a few people. Gauge their reactions. Don’t waste your time on an idea everyone wrinkles their nose at – writing a script can take years. Find an idea that seems interesting to most people and use your time and energy on that.

2. Outline/Structure

If you want to save time and energy, outline your screenplay.

Screenplays are not wild expressions of creativity. Yes, you have to be creative to bring those characters to life – but screenplays themselves follow a remarkably strict set of rules and have to build tension in just the right way. If you don’t outline first (What’s your first plot point? Your second plot point? Your turning point? Your character crisis?) then what you’ll usually wind up with is a rambling mess that needs to be completely rewritten.

This will be you.
This will be you.

3. Technique

So you outlined, your story hits all the plot points, and you’re ready to write 90-120 pages. Wonderful. Now, what’s going to set it apart from the billion or so other scripts out in circulation?

You need to apply strong writing techniques. Do you know how to alternate between fear and relief during even the most mundane of conversations? Do you use misleads and reveals? Are your characters well-defined enough that, if you picked any line at random, you would know who said it? What are the dramatic choices you’ll make in EACH AND EVERY SCENE to make it both necessary and entertaining?

If you can’t answer the above questions, learn more about writing technique. There are tons of writing exercises and articles you can find online to help you.

4. Revising

I’ve never heard of a successful script that didn’t need at least one rewrite.

The best piece of advice I ever got about revising is “revise your outline first.” Start there (after receiving feedback from script consultants, teachers, and friends), because it’ll be easier to move around major pieces of your story when it’s in outline form. Does it seem like you’re missing a key scene? Find out where to put it by looking through your outline. Does your climax seem to happen too late or too early? Figure out how to re-position it in the outline.

Otherwise, the script itself might seem so daunting that you never look at it again.

love-writing

Writing a screenplay is definitely a challenge – but it’s a rewarding one. If you dream of seeing your words on the big screen, just keep working on your writing skills! Like anything else, they’ll get there with practice.

By Digital Film Academy Blog Manager Sara McDermott Jain

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