Tag Archives: film

FOX Sports and Digital Film Academy – Video Editing a NASCAR Documentary + The Berlin Sci-Fi Film Festival

It’s great to see another success story from one of our international students! Our former film student and now graduate Kayode ’Kaykay’ Olowu was hired by Orange County Speedway in upstate New York as a Video Editor. 

Orange County Fair Speedway is a 1 km oval dirt speedway in Middletown, New York. The facility holds weekly stock car races and demolition derbies during the summer months.

Our international film student worked as editor of a 10 episode documentary series about the history of car racing at the famous location. All 10 episodes premiered on FOX Sports website and as you can see here, as part of the NASCAR on Fox series.

Ready to start your engines? Vroom vrooom! 

Check this out. You will NOT be disappointed.

Way back in 2016, Kaykay was kind enough to do a short video interview, describing his experiences at Digital Film Academy when he studied in our Advanced Year Program as an international student:

Great to now see how his career is progressing. Onwards and upwards, Kaykay!

TANNIA + BERLIN SCI-FI FILM FESTIVAL

Shout out to Digital Film Academy student Tannia Kustka for her acting prowess in “REWIND”.

The short film concerns a mother suppressing her fear of losing her daughter through combat through the help of futuristic technology. The film won best drama in this year’s Berlin Sci-fi Film Festival and Tannia was nominated for best actress. Proud of you, Tannia!

Digital Film Academy invites you for a free personalized experience in Cinematography at our NYC film school. Contact Us to Sign Up Now


Film Fest: 4 Things Learned (That Made Me a Better Filmmaker)

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For the past year, I’ve been organizing a film festival. Every thing every one warned me about is true: it did take over my life, it is a ton of work, and I am seeing films in my sleep at this point.

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But there are a lot of perks that nobody mentioned, and right at the top of the list is the fact that, watching all those submissions, I learned how to better submit – and even make – my films.

Basically, submissions fall into the following categories:

  • Gotta have ‘em (about 5%)
  • Keep ‘em away from me (about 5%)
  • Wish I could put it in, but it wouldn’t make sense because of X, Y, and Z (90%!)

So, to help you get your films into that top 5% of guaranteed-to-make-the-cut, here are a few pointers I picked up:

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1.  KEEP IT SHORT!!! I’m sure you’ve heard this advice before – I’ve heard it before, many times. But until I put together my final schedule, I didn’t really GET IT.

If a submission’s 3 minutes long, it’s easy to fit in. If it’s 10 minutes, still pretty easy… once it gets to be over 15 minutes, it starts to become impossible. And this rule goes for features too! If it’s 60 to 90 minutes – I can work with it. But 2 hours? Unless it’s INCREDIBLE, I can’t justify it.

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Most screening blocks are two hours long. If you submit a two-hour film, you’re asking me to schedule ONLY your film for an entire screening block. If there’s an equally worthy film that’s 90 minutes and lets me fit in a few shorts, too, well… that’s that.

2.  Be Original. You’re thinking: “I am original!” Well, the way you execute your story might be original, but make sure the story’s really original, too. How many other films about angst-ridden teenagers are there going to be? I definitely made cuts based on the fact that multiple films were telling basically the same story. Films telling stories I hadn’t seen anywhere else stood a way better chance.

3.  Consider Your Audience. Most people don’t bother to check out a fest’s mission statement, but they should. It’s just not worth the time and money it takes to submit to something where, even if you are great, you just don’t fit their vision. In the final hour, there’s always way more films the programmers wish they could schedule than they have time for, and they’re going to be looking for any reason to help them make a tough decision.

4.  Cover letter. I’ll be honest – I’ve never written a cover letter when submitting to fests. And I’m not alone, because neither did about 80% of our submitters. I guess people figure that their films speak for themselves? But now that I’ve been on the other side of it, let me drive this home: COVER LETTERS MATTER. Not if they’re just a repeat of your film summary, but if they tell us why you want to be part of OUR festival. If you’re the only one out of ten possible films to reassure us that you believe in our mission and, if selected, will attend and promote the festival – it’s going to nudge you toward a yes.

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There you have it – my top 4 pointers. If you follow these, I promise, your chances of being accepted at any fest will go up at least 50%.

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And if you’re curious to see what made the cut for our fest – check us out at http://www.princetonindependentfilmfestival.com!

Written By: Sara McDermott

5 Rules of Successful Crowd-funding Campaigns

Everyone wants to crowd-fund to raise money for their film projects… but few people know how to put a good campaign together. Here’s everything you need to know!

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Set the Smallest Goal Over the Shortest Period of Time

Sorry if you want to raise a million dollars, but remember: $10k is the tipping point with crowdfunding. Asking for more than that gives you a drastically reduced chance of reaching your goal.

That being said, be realistic about how much money you need. As an indie filmmaker: what’s the smallest amount of money that makes this film possible?

Also, be realistic about the campaigning time-frame. This doesn’t mean leaving it open for six months, assuming that by then, it’ll all trickle in… the opposite is true.

Campaigns less than 30 days do better. Why? A campaign gets the most attention at the beginning and at the end. By keeping the campaign shorter, the buzz remains steady throughout and you keep excitement among supporters high – which leads to more shares, more likes, and more cash.

Another note about the time frame? Avoid launching when people have to pay rent or taxes. Aim to launch after they’ve gotten their paychecks.

Friends

Have Over 1000 FB Friends

Try to hit 1000 Facebook friends before crowd-funding. Success isn’t just based on how many people contribute, but also on how many people SHARE your story with others. A plea for shares often finds help when a plea for cash alone doesn’t – and the more FB friends you have, logically, the more shares you get.

Also remember, when deciding which crowd-funding platform to use: Kickstarter integrates with Facebook, making some things easier. However, Indiegogo will give you ANY funds you raise (minus a higher percentage) while Kickstarter will return funds to backers if your goal isn’t met. Carefully weigh your options.

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Have a 50/50 Video

A no-brainer, but campaigns with video are 20-30% more likely to reach their goals. Videos shouldn’t go over 2 minutes and should be 50% about the project and 50% about the creator. When it comes to crowd-funding, people are as interested in the person behind the goal as anything else – so make your personal story a good one.

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Keep Backers Posted and Respond to Activity

Keep backers up-to-date! This helps them feel appreciated and keeps them excited – and more likely to spread the word about your project.

They should receive a weekly email newsletter that contains a funding update, an update on any new content added to your page (announcements about new actors joining the cast, etc.), any mentions you’ve had in the press, and, most importantly, a call to action! Always ask them to share your page with others.

Hand in hand with this, respond to activity on your page in real time (read: within 6 hours.) This doesn’t just mean giving a ‘like’ to nice comments, but also dealing with any negativity in a professional way – especially when it appears publicly. Also, every time a donation is made, give the backer a shout-out on social media: an immediate reward!

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Post-Campaign Like a Champ

Thank every backer individually, and don’t screw up the delivery of rewards! These are the items you’ve promised in exchange for money. DVDs, posters, etc. – they should go out when you said they would, and be what you promised.

Finally, make good on your biggest promise – get this film made, and use ALL the funds you earned campaigning. If you earned more than your goal, don’t treat yourself to a spa day – put it toward this project. But hey, a bigger-than-expected budget? What a great problem to have!

By Digital Film Academy Blog Manager Sara McDermott Jain

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