Tag Archives: New York

The Power of Effective Storytelling

Audiences all over the world are becoming more interested in watching foreign films and TV series. With that in mind, we ask: What’s the power of effective storytelling?

In September of 2021, we saw Netflix’s South Korean series Squid Game become the number one streaming show on the platform with season two already in the works. 

There’s a general increase of interest in international foreign films for all ages. To name a few: Parasite, Spirited Away, Ponyo, and Earwig and the Witch from Studio Ghibli. 

Is meaningful storytelling more important than a language barrier? 

At Digital Film Academy, we believe in the power of storytelling. Our goal is to give you all of the tools necessary to succeed in film and media. We empower you to become your own production company, fulfilling your own goals and working towards your dreams. 

At DFA you will learn Cinematography, Editing, and New Media Technologies, to mention a few of the classes. With the help of your instructors, you will look at film work of the past to build the foundation for your successful future.

We are proud to have many international students join us for our film and media programs. DFA is approved to issue I-20s to international students. 

Conveniently, we have locations in New York and Atlanta. With hybrid classes you will be able to attend at either of our campuses or online anywhere in the world. 

For more information about international student experiences at DFA, check out this video: https://youtu.be/Aa5b6sz5pO0

Are you interested in checking out some international films? Take a look at these recommendations from Digital Film Academy!

  1. AI Love You, a Thai Film by former DFA student, Stephan Zlotescu:
  1. Manta Ray by Former DFA student, Phuttiphong Aroonpheng:
manta ray poster - the power of effective storytelling



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We’re changing, are you?

Students working as a film crew, directing, operating the camera and recording sound at Central Park in New York.

“Insanity is doing the same thing over and over and expecting different results”

– Rita Mae Brown (not Einstein, I checked)


Everything around us is constantly changing, and that’s never been more true. I’ll throw another quote at you:

“For he that gets hurt will be he who has stalled”

– Bob Dylan


The best way to succeed is to be on the forefront of change. And that’s what we’re doing. Digital Film Academy is always on the lookout for how we can change to better serve our students. We’ve pivoted to a hybrid learning environment that allows our busy students to do most of their classes remotely. We bring our seasoned professors to you, wherever you are. 

We’ve designed an entirely new Associates Program that gives you equipment to own (yours forever, no joke), included in the tuition. That means that as you’re building your portfolio, working on school projects, or working with clients, you’ve got everything you need. You become your own production company. When you’re learning the equipment you have it there, in your hands. We did this because it’s the best way for you to learn and that’s our top priority. 

We’ve adapted our hands-on classes so that we can still deliver the essentials, while keeping our students safe. We just finished our intensive 3 week summer classes that had students performing in real life scenarios. From shooting walk-and-talks in Central Park to dramatic dollys in the heart of Hell’s Kitchen. 

Our mission is and always has been to prepare you to make money and we’re always looking for new ways to do that better. 

Maybe it’s time you think about making a change? 

Come to one of our Open Houses and see if we can’t help you take a step in a new direction.

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Coronavirus and Digital Film Academy: Statement from Patrick DiRenna, School President

“Hello Everyone,

My name is Patrick Direnna. I am the President and Founder of Digital Film Academy.

Thank you very much for joining me for a few minutes. Let’s discuss briefly what’s going on in the world with the Coronavirus, how that affects everyone’s life, what people are doing and not doing and how it affects the importance of media.

Very important now, more than ever, to be able to create professional grade media and get it to the public as people are consuming more and more and media become more monetizable.

But most important is what you DO at this time. And what you do WITH this time!

So firstly, stay safe. Keep your loved ones safe. Be smart and keep your hands clean. Keep all those around you that you care about safe, first and foremost.

Now beyond that use this time to hone these skills, because when this is over the time is going to be ripe for the right media. Those who are ready to deliver it when the bell rings are going to do very well. Those who only then start studying at that time and then 7 or 8 months later it’s going to be old and there could be something else going on. So use this time wisely! Don’t just do nothing. That would be the worst thing. Hone your skills. Right now the demands are going to be less, so it’s time to actually get your skills in order and then as soon as this is over and as soon as you are ready, you’ll be able to produce meaningful, powerful, monetizable media.

And you’ll have free access to equipment.

Our programs start May 11th 2020. Everything is on schedule. We’ve switched over to online.

We’re in very good condition there. The students are live online, so they’re with each other, they’re with the instructors. Everything’s moving forward and after they graduate they have free access to equipment for the rest of their life.

.Just like YOU will have! So they’re going to be hitting the ground running

So don’t shy away, make sure you move forward. Always!

Thank you very much for your time. I appreciate it and stay safe.”

Sign up now to attend our LIVE ONLINE Open House event 3 days from
now on Saturday April 4th at 3pm.

Add your name to the guest list now:

5 Things to Consider When Making a Short Film

There’s never been a better time to make short films. Not only do most film festivals have short film categories, but platforms like YouTube have made it possible to actually monetize shorts.

Particularly if you’re just beginning your film career, there’s no better way to start than making a short film. This film can become your calling card, helping you get into festivals, make connections, and find meaningful work in the film industry.

So what do you need to keep in mind when making a short film?

https://gladlydo.wordpress.com/2015/07/13/5-places-you-need-to-re-organize-in-your-home/messy-basement/
There’s gotta be something in your parents’ creepy basement you can use.

1. What do you have?

First, take a look at what you have. It’s extremely hard to get funding (other than what you’re putting up) for a short. This is ten times as true if it’s your first. As a result, you’re going to want to look at what you already have at your disposal. Unless some kind of cool set is available for free, set your story someplace easily accessible. Unless you have a friend who’s a special effects or make-up whiz and willing to work cheap, don’t plan for a lot of special effects. Look at what you have and be creative with how you use it. After you make it big, then you can make a film that has everything you want!

 http://www.empoweredspouse.com/killer-blogging-tricks/
‘Nuff said.

2. Tight script

What makes a short film shoot last for days and days while the budget goes through the roof? Tons of locations and tons of characters. More locations and characters mean more traveling, more set-ups, and more coverage that you need to get. If, instead, your script has one or two locations and one or two characters (and comes in under ten pages), you can get it shot in one or two days.

http://www.stayup.com/artwork.html
Six different shots in what will be about two seconds of film. Would you be able to figure that out on-the-spot?

3. Storyboards and shot lists

Don’t think you can arrive on set and just wing it. Filmmaking is a complicated medium, and one that requires a lot of collaboration. To that end, everything will go more smoothly if everyone has the same, clear set of guidelines to follow – and if all the shots have been thought through in advance. Create storyboards to go along with the script so that everyone can visualize what you need, and top it off with a shot list listing the shots you need to get. You can check them off as you get each one and be sure not to leave the set minus what you came for.

http://www.keepcalm-o-matic.co.uk/p/keep-calm-and-cya-23/
Advice in filmmaking… and life.

4. Get the coverage!

It’s every filmmaker’s nightmare. You’ve spent time and money to shoot your film only to realize in the editing room that you didn’t get enough coverage. Coverage refers to getting enough shots to be able to edit the film together in a way that appears seamless. If you haven’t gotten enough coverage, you might find there’s no good way to edit together two shots without it jarring the audience. Shoot wide shots, medium shots, close-ups, and inserts of various objects – along with whatever other clever shots you come up with! That way, you’ll have lots to choose from.

bad editing

5. Put it all together

Editing can be a brutal process, so make sure your footage is clearly organized so you can find what you’re looking for. This will save you from wasting lots of time.  Each minute of finished film will take hours to edit, so be mentally prepared for that fact. And if you do make it to this point only to realize you didn’t get what you needed to put together a decent short film, chalk it up to a learning experience, get back out there, and shoot, shoot again!

Can’t wait to see what you come up with in your short films. If you have any other tips/suggestions, leave them in the comments!

Happy filming!

Blog by: Sara McDermott Jain

Why the DFA Open House is a Must-See!

You know the regular school open house drill: sit in a chair with some strangers, hear a few words from a professor about what you would do in his class, maybe hear some success stories about former students…

But the Digital Film Academy Open House is no regular open house.

The DFA is all about getting students working in film – and their open house on Saturday, March 8th from 3-5pm in NYC is no different.

At this totally free event, attendees won’t just get to see the facilities and network with current/former students and professors. They’ll also take part in three hands-on demonstrations:

Directing

Directing Demo: Ever dreamed of commanding your own set as a director? Taught by Patrick DiRenna, the President of the DFA, this directing crash course gives attendees the “magic formula to create the perfect shot.” Guests will learn how to set up two different, dramatic SteadyCam shots and will also be taught the primary functions of a director.

ADR

ADR (Additional Dialog Recording) Demo: Imagine this: you’ve yelled “Cut!,” you’re bursting with excitement over what you filmed, and you get into editing – only to discover that the sound is a garbled mess. Something went wrong – so now, is your project dead?

Absolutely not, because you can replace that original dialog – if you know what you’re doing! Guy Mor, the DFA Director of Operations and an audio wizard, will show you how to both replace bad audio and record audio for animation… the best part? Attendees can take part in a fun exercise, re-recording audio for famous movie lines such as “Hasta la vista, baby” – and enjoy the results.

Media composer

Avid Media Composer Demo: Two things are hot right now in the world of film: Avid Media Composer, the most widely-used non-linear editing program for professional film, and the Red camera. (In fact, most DFA grads report being able to easily find work after graduation thanks to their continued free access to the expensive Red camera through the DFA membership program.) In this demo, DFA Equipment/Facilities manager Corey Christian works with both, showing how to load footage from the Red camera into Avid Media Composer and use the software to create a perfect final image.

If you’ve ever considered a career in film, what are you waiting for? Come to the DFA Open House to make connections, learn tricks of the trade, and see if you’re ready to take the next step to “monetize your media!”

RSVP today at DFA Open House.

By Digital Film Academy Blog Manager Sara McDermott Jain

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Digital Film Academy New Filmmakers Screening

October 23rd was the most recent in a proud history of evenings that celebrate DFA graduates’ work. As each semester draws to a close, the Digital Film Academy screens student projects at the Film Anthology Archives, an impressive venue in NYC whose name also carries quite a bit of weight.

The experience of getting to see their work on the big screen is often mind-blowing for students.

These nights typically feature a wide range of work across different genres, and the 23rd was no exception. The audience was treated to a documentary trailer, the first episode in a new web series, a video Kickstarter campaign, two innovative short films, and a music video.

Three of the filmmakers were in attendance, so I got to chat with them after the show.

First up for my Q&As was Rich Lanzillotto, the creator of the short film Stood Up. The film, which goes inside the troubled relationship of two New Yorkers, offers viewers an unsettling ending. Unlike the other filmmakers in attendance, Lanzillotto shied away from directing his own piece. His long-term goal is to become an editor, so he focused on the editing and producing of Stood Up, which he co-wrote with his step-brother. The directing reins were handed over to another DFA student, Joseph Leon Stein.

Next up on my journey through filmmakers was Mari Kawade, whose web series 2ndAve is garnering lots of well-deserved attention. Three episodes are already online and have received more that 17,000 views, no small accomplishment. Maho Honda and Tsukasa Kondo, Kawade’s two lead actors and co-producers, were also in attendance.

2ndAve Team
Tsukasa Kondo, Maho Honda, Sara McDermott Jain, and Mari Kawade talk about 2ndAve.

The show, which features a new-to-NYC Japanese actress (Honda) and her homo-sexual roommate (Kondo), has developed a strong following of immigrants. “We knew the show would have a strong reaction from other Japanese,” Kawade says, “But we didn’t expect the massive reaction from other immigrants.” 2ndAve’s storyline, which features, among other things, the struggle of living in a foreign country and trying to build a creative career, showcases characters that anyone can relate to.

2ndAve Mari
Tsukasa Kondo and Mari Kawade give Sara McDermott Jain the low-down on 2nd Ave’s audience.

The third filmmaker was Linda Ainouche, an Anthropology PhD with a passion for documentaries. Her documentary-in-the-making, Dreadlocks Story, was presented in the form of a trailer. The subject is fascinating: the documentary explores the connection between India and Jamaica, how India influenced Jamaica’s Rastafari, and the movement which led to the proliferation of dreadlocks. The finished film will delve into how this is a result of India and Jamaica both being oppressed by Britain at the same time, and how their resulting connection is one positive thing to emerge from this oppression.

Linda
Documentarian Linda Ainouche discusses Dreadlocks Story with Sara McDermott Jain.

Ainouche is currently organizing a crowd-funding campaign to help finance the next stages of her research. Of the DFA, all the filmmakers stressed how the support and experience offered during their classes made their films possible. The DFA membership, which allows free access to film equipment, also made it possible to do these films with little to no budget. Those filmmakers who were unfortunately unable to attend were Jamaal Green, whose Kickstarer campaign trailer for the dramatic, psychological web series Chronicles of a Profiler was screened; Christopher Delao, who directed the surprising short film The Room Next Door; and Jimmy Negron, whose music video “Anthem” for the group Chameleon packed a powerful punch. The following projects are available to view online:

Happy viewing!

By Digital Film Academy Blog Manager Sara McDermott Jain

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