Former Digital Film Academy student, Stephan Zlotescu, releases AI Love You on Netflix.
Congratulations to former DFA student, Stephan Zlotescu, writer and creator of the new Netflix film AI Love You.
The movie is directed by Thai-French actor and filmmaker David Asavanond (Tom Yum Goong) in his directorial debut. The cast includes Pimchanok Leuwisetpaiboon and Mario Maurer.
Stephan Zlotescu is a former student of Digital Film Academy’s Advanced Certificate program in New York City. We are very proud of his new accomplishment as well as his other work including True Skin, Future Sex, and Pastel.
About AI Love You: This new sci-fi romantic comedy written by Stephan Zlotescu explores themes of love and advancing technology. After a software glitch causes an advanced AI program to fall in love with a young woman, it escapes into the body of a man and tries to win her heart. The film is available to stream on Netflix now.
What camera did you use? What editing software? What LUT? Which filmmaker haven’t ever heard these questions? We are being bombarded with new releases from established equipment brands being announced constantly, and it’s hard to keep up with the always evolving technology surrounding film gear. People are consuming more content now than ever, spending more time in their phones and computers and Content Creators have a lot to work with.
But can a camera make you a better filmmaker? It’s a valid question in today’s filmmaking world but the answer is no. As filmmakers, our goal is to tell stories through our unique experiences, our knowledge, and, most importantly, our feelings and emotions. The cameras and gear you use are nothing without the eyes and brains behind it.
Even when you tell stories that were already told more than once, they are not the same stories. The perspective and the point of view of who is telling the story can change everything.
But won’t the equipment help the story?
New equipment gives the filmmaker the opportunity to get results that he/she couldn’t get before, and if that’s not why you’re using it, then you don’t need it. It’s simply expanding your palette of colors for painting your story, nothing more and nothing less.
You need equipment that allows you to deliver your story. And most of the time, you have plenty of options of equipment to use (DFA students and grads have free lifetime equipment access through LEAP: https://www.digitalfilmacademy.edu/why-dfa/). But if you don’t have a good story, it’s not the gear that will make it interesting.
So first of all, work on your script. Creating good stories is demanding and it takes effort. “Screenplays are not works of art. They are invitations to others to collaborate on a work of art” — Paul Schrader
Are you ready to start facing those blank pages?
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