16 total views, 2 views today
July 30th turned out another series of exciting, diverse short films from DFA students at New York City’s Anthology Film Archives!
First up was The Dawn, a film written and directed by yours truly. Despite his very sheltered point of view, the five-year-old protagonist pieces together the fact that his beloved mother has killed his father. The biggest challenge of making this short was working with such a young child, although hopefully his youth and innocence serve to create that much more of an impact once you realize his life will never be the same.
Next there was In the Bedroom, a short by Ananya Sudararajan, who also co-wrote and acted as DP for another short film in the line-up, Jam. In the Bedroom was more experimental than the other offerings. The camera remained in one position the entire time: at the foot of the bed of a couple whose relationship is on the rocks. This served to make the viewer feel almost as if they’re spying on a real couple from a hiding place, rather than watching a short film. After the male lead fails to perform in bed, he takes his anger and frustration out on his girlfriend; however, she’s the one who gets the last laugh.
Next up was The Potluck, from frequent screening contributor Pauline Gefin (and Jam’s sound recordist!). In the course of 9 minutes, the audience sees a very strained relationship between three former friends, and how catty two of the girls are toward the third, Victoria. However, when the hostess, Ashley, begins choking, she’ll find out who she can really count on. The short packs a great visual punch at the end, when Ashley puts a photograph of her and Victoria in a place of pride on her shelf.
Jam, the fourth short, came from Nacho Diaz-Guerra. This piece served to keep viewers guessing as different details were revealed. The three characters meet when young Alice buys back her grandfather’s watch from a pawnbroker and his friend. It’s clear that both Alice and the pawnbroker’s friend, Luke, have strained relationships with their father figures. In Alice’s case, we hear one side of a tense phone call; as for Luke, we witness his older friend’s constant badgering. In the end, Alice and Luke form a bond – and take a small revenge on society.
The last film of the evening, Thousands: Sonnets of the Sun, was also the longest at close to 29 minutes. This film, from Lucas D. Oliveira, was ambitious not just in terms of length but in subject matter. A true coming-of-age story, viewers were treated to an intimate look inside the mind of a young boy, Tolo, as he struggles to understand nothing less than the meaning of life and his place in it. His father, an African mask carver, has taught him the stories behind the masks, and how masks would be used in special ceremonies where children became adults. Of course, these ceremonies aren’t common in Brooklyn, where Tolo lives – but that doesn’t stop him from exploring their power and doing what he feels he needs to to get to the next level in his life.
Congratulations to everyone who screened! I’m looking forward to what’s next to come from this group of my fellow filmmakers.
By Digital Film Academy Blog Manager Sara McDermott Jain.